12th AP Lit Fall 2015 Per. 0, 4 & 5 Assignments
- Instructor
- Mrs. Sheri Zoratti
- Term
- Fall 2015
- Department
- English
- Description
-
AP ENGLISH LITERATURE AND COMPOSITION SYLLABUS
Website: www.santiagohs.org
Instructors: Mr. Werth and Mrs. Zoratti
Email: [email protected]; [email protected]
Office Hours: Thursdays during lunch [other times available by appointment]
COURSE DESCRIPTION
AP English is a rigorous college-level course. The course focuses on a variety of genres of literature by using major works from different literary periods concentrating on close reading of the texts. Writing skills are developed with attention to form, style, and structure as well as content. Preparation for the AP Exam is part of the course and we expect you to take the AP Exam.
COURSE OBJECTIVES
Students will be able to:
- Develop accurate and perceptive critical analysis of major texts across literary genres
- Acquire fluent, precise writing style through the preparation of essays about the texts
- Understand the technique of poetry as it affects and enhances meaning in a poem
- Generate independent, thoughtful, and analytical discourse during class discussions
- Deliver oral reports with poise and clarity
- Demonstrate knowledge of literary terms
- Develop essential writing skills and knowledge required to deal successfully with the questions on the AP English examination
AP ENGLISH POLICIES
- All assignments are due at the beginning of the class on the scheduled due date.
- All work must be completely assembled (stapled, packaged) and ready for submission as you walk into the classroom before the tardy bell rings. Class time will not be used for assembly.
- Late Work:
- Homework: Homework and other small formative assignments intended for practice and/or to prepare you for class the next day are due on time (no credit for late work).
- Semester 1:Large formative assignments (such as packets or journals) and summative assignments will be accepted up to 5 days late with a deduction of 10% per day. This policy applies to first semester only.
- Semester 2: It is time to behave like college students, which means no late work will be accepted.
Note: If a summative assignment has an announced due date, you are required to deliver it to the instructor on time (email or drop off) or will receive a grade deduction for each day it is late.
- Students must contribute to classroom discussion in a meaningful, analytical, way.
- Students must maintain an ongoing record of class notes and major works notes for test preparation purposes.
- Students must attend class prepared on a daily basis. This is a college-level course and daily preparation is required for success in this course.
- Required supplies: texts, binder [1 ½” - 2”], college-ruled paper, 2+ pens (black and blue ink), white-out, and highlighters.
- We follow all Santiago High School policies regarding attendance, tardies, attire, electronic devices, food and beverages, etc.
COURSE MATERIALS
- Primary Text: DiYanni, Robert. Literature—Reading Fiction, Poetry and Drama (5th ed.).
- Novels, plays, and poetry as assigned, including the Summer Reading texts.
COURSEWORK
- First Quarter: Summer Reading discussions, essays, and tests; study and analyze short fiction (literary and critical terminology); works by Porter, Updike, Lawrence, Joyce, Jackson, Chopin, Boyle, Hemingway, Williams, and others.
- Second Quarter: Study and analyze drama: The Tragedy of Hamlet, Much Ado about Nothing, A Doll House, The Glass Menagerie, Death of a Salesman, and/or The Importance of Being Earnest. Core novel: Pride and Prejudice.
- Third Quarter: Study and analyze poetry from the 16th to 19th Core Novel: All Quiet on the Western Front, 1984, and/or Frankenstein.
- Fourth Quarter: Twentieth century poetry; non-fiction prose (essays, criticism) from the 19th and 20th We will close the year with a senior research project and literature circles/book clubs.
There will be at least three major writing pieces/essays assigned each quarter along with tests and quizzes on the required reading.
Several of the critical essays will be completed in class to prepare students for the time limitations on the essays required for the Advanced Placement test in May. Students who pass the AP exam may elect to waive the lower division English literature requirement in college. (Minimum scores for this waiver vary from college to college – check your college website for details).
The format and content of this course mirrors that of a university literature course. The AP canon emphasizes the work of such essential literary voices as Shakespeare, Donne, Ibsen, Shaw, Austen, Orwell, Dickinson, Joyce, Achebe and Miller. As with a university level course, there is no extra credit; students are expected to complete the assigned reading and analysis on time. Always come to class fully prepared to discuss the texts. Successful student writing in the AP context must exhibit a student’s ability to think critically and his or her mastery of expository prose.
Student grades are based primarily on the critical essays but also reflect the importance of other class requirements as well. These are the grade components and relative percentages for Advanced Placement students:
Formative work (homework, quizzes, small assignments)
35%
Summative work (essays, tests, major projects)
50%
Sem. 1 Summer Reading / Sem. 2 Final Research Paper/Project
15%
Grade Scale: 90-100% = A 80-89% = B 70-79% = C 60-69% = D 59% or below = F
AP 9-Point Rubric Scale:
General 5-Point Rubric Scale:
AP8/9: A
AP6/7: B
AP5: C
AP3/4: D
AP1/2: F
R5: A
R4: B
R3: C
R2: D
R1: F
Student Signature: ___________________________ Parent Signature: ____________________
Upcoming Assignments
No upcoming assignments.
Past Assignments
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Obj: SWBAT effectively integrate quotes in literary analysis essay by practicing with model from Swift's "A Modest Proposal"
* 15-20 min: Integrating quotations mini-lesson and practice (on G. Classroom)
* Whip-around (3-4 students share their integrated quotes)
* Rest of period: Time for Allusion Research and Writing
JSTOR
The database provides access to the highest-quality academic journals, books, and primary sources documents in the fields of social sciences, humanities, and sciences.
First Time Users http://www.jstor.org/token/shiqJkk2sP8V9fNwTKww/shs.cnusd.k12.ca.us
Use the above URL which will direct you to the login page. Complete the required fields to register a unique username and password. A unique email address is required, but the email address may be of any type (Gmail, Hotmail, a institution-issued account, etc.). Click submit to register your account. You will be redirected to the JSTOR main page, where you can log into your new account. .
Existing Users http://santiagomediacenter.weebly.com/
The link is on the Library Media Website under Research.
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Objective: SWBAT determine author's purpose and use of literary devices by close reading of practice AP test (individually and collaboratively)
AP Practice Test 1A:
2. Teams: Discuss/debate and write your answers in Column B -- 15 minutes
3. Whole class: Correct answers in Column C + notes on question types and rationales -- 15 min
HW: Your modest proposal due to turnitin.com on Sunday NO LATER than 11:59. Don't wait until the last minute!
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* Overview: World Cafe, close readings, essay, Test, Major Work Summary, essay, etc.)
+ FAFSA Pin lab requirements (SSN, home address, appropriate email + bring SSN for a parent in order to create their PIN as well)
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* Kick off Volume II (read to Ch. XXX) + Write journals analyzing satirical elements
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As you read, annotate and/or take notes (these will help foster our discussions and will deepen your understanding of the text but will not be graded)
Ideas for annotation:
* Questions that arise
* Favorite lines, moments, and scenes
* Shakespeare's use of word play--especially insults and dogberryisms
* How misunderstandings happen (intentionally or unintentionally)
* Surprising moments
* Themes and societal norms
* Ahas
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Over Break: You will complete a "First Reading" of Much Ado. Apply the skills we have developed while studying Hamlet in order to tackle this Shakespearean comedy on your own. When you return, we will do focused close readings of various sections, as well as other activities and assessments.
As you read, annotate and/or take notes (these will help foster our discussions and will deepen your understanding of the text but will not be graded--you will be graded via writing and objective test)
Ideas for annotation:
* Questions that arise
* Favorite lines, moments, and scenes
* Shakespeare's use of word play--especially insults and dogberryisms
* How misunderstandings happen (intentionally or unintentionally)
* Surprising moments
* Themes and societal norms
* Ahas
* Passages you want to revisit as a class (flag them!)
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*3 more versions of the "To be or not to be" soliloquy in film (skipping--not a good use of our time right now)
* Resume Act III.ii at line 151: Teams cast the 4 roles and read to line 238 (Hamlet, Ophelia, Player King, Player Queen)
* Cast roles for remainder of Act III.ii (lines 239-415) + Act III.iii: Queen, King, Hamlet, Ophelia, Lucianas, Polonius, Horatio, Guildenstern, Rosencrantz (participation points!)
* HW: Act III.i-iii reflection/prediction in your Hamlet journal (1/2 to 1 page)
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Hamlet Act III.i
1. Show/read Branagh Act IIIi
2. Key Points to clarify with discussion:
* To be or Not to Be Soliloquy
* Ophelia and Hamlet's discussion (Discuss language/double meanings in Hamlet's dialogue with Ophelia)
* The plan Claudius and Polonius cook up for Hamlet
3. Team read-around: Act III.ii l.1-160
HW: Explication for Act II due tomorrow + be sure you have read up to line 160 of Act III.ii
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* Pay for your books!
*25 min: Act II Explication team time (collaborate for ideas--here, in AVID, HW Central, etc.) but write yourself. Assignment is on g.classroom but due to turnitin.com on Tuesday (all students)
* 5 min: Log in to learnerator.com and sign up for our Hamlet class
* 20 min: Act II Learnerator assessement (open book)
* HW: Act II explication is due on Tuesday
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* Paraphrase Voltemond's speech and Hamlet's letter to Ophelia (split teams)
* Resume Branagh film at Soliloquy ll. 563-622
* Act II ii Explication ("O, what a rogue and peasant slave am I") -- Due Tuesday night. Work on this with teams/in tutorials but write your own explication. You will submit this to turnitin.com
>> Follow the following breakdown/chunking of the text
I do: ll. 563-586 – Note: When you upload this to turninin.com, don’t include my analysis or it will be flagged as plagiarism (100+ students turning in the same thing).
You do: 586-590, 591-597 (look for the shift here! Plus an allusion to Prometheus); 598-605; 605-611; 611-615; and 615-622 (6 sections)
* My sample is posted here as well as on google classroom
* HW: Explication (due Tuesday by 11:59 to turnitin.com)
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* Discuss Book Orders: P&P ($5) and Much Ado (2.50) ($7.50 for both or less)
*Stamp Polonius' advice/whip-around
* Qs re: explication?
* Act I scenes iv: act out + Gibson Ch,. 6 & 7 (out of order)
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* Explication Model and rubric + team work: Act I.ii Soliloquy (see attached for model + rubric)
* HW: Complete the explication by Friday. I highly suggest that you work on this in TEAMS (w/AVID, in Homework Central, and/or online with Google Docs)
Also: Read Act I scene iii and paraphrase Polonius' 8 pieces of advice for Laertes in your journal
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Assignment: See attached doc
Assessed on 5-Pt. Rubric for the following: 1. Content/Meets Reqs.2. Clarity of PPT 3. Depth of analysis 4. Presenter knowledge/delivery
Presentations are this Friday! (Note: Presentation date moved to Monday due to Rallycap college planning visit (Shannon Barteau)
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* To be or Not to Be Soliloquy:
1. Show/read Branagh Act IIIi to line 165
2. Team paraphrase & whip-around (10 teams) N
3. 3 different versions in film
* Continue Act III reading/acting
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* Teams share assigned Criticism notes with class:
Steps to take:
* Open Google Doc or Presentation to share your crit: Biographical, Mythological, Psychological, Feminist, Marxist
* Classmates take notes
* I will consult with students during this time, so you guys are in charge!
* Brief introduction to "Phase 2" of the assignment: Read the assigned text through the lens of your assigned criticism. Take notes for team meeting on Monday
*Learnerator Practice Test: "The Rainbow"
* HW: Read your assigned text through the lens of your assigned criticism. Take notes and prepare to share with team Monday.
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2. I will read poem aloud, pausing to discuss what devices we notice
3. Team: Draft a thesis using the frame: Through his use of __, __, and __, (author) (conveys/depicts/reveals/contrasts/illustrates) (theme or big idea clearly connected to prompt).
4. Whip-around team thesis statements
5. Review the intro/thesis of the 9 paper
6. On your own: The essays are posted for you to read in their entirety. See what makes a 9 a 9, a 5 a 5, and a 3 a 3.
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* Daily HW: Read the assigned stories from the "Fiction Bootcamp" packet and prepare responses for the questions prior to coming to class.
'9/21 Mon: Rockinghorse Winner lesson, Character lesson, Astronomer's Wife for homework
9/28 Mon: Irony and Symbolism Lesson A Very Old Man with.... for homework
9/29 Tue: Q1 The Story of an Hour for homework
9/30 Wed: Collect homework/quiz/kick off group project
10/1: L1, L2, L3 lesson
10/2: Learnerator
10/5: Begin Group project presentations.
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'9/21 Mon: Rockinghorse Winner lesson, Character lesson, Astronomer's Wife for homework
9/28 Mon: Irony and Symbolism Lesson A Very Old Man with.... for homework
9/29 Tue: Q1 The Story of an Hour for homework
9/30 Wed: Collect homework/quiz/kick off group project
10/1: L1, L2, L3 lesson
10/2: Learnerator
10/5: Begin Group project presentations.
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- Syllabus check? Agendas?
- Quick pitch for Fine Arts Club--first meeting this Friday at lunch!
- Notes: The elements for success in AP Lit writing (Opening lesson for AP Basic Training): assertion>>evidence>>elaboration/So What?
- BNW Essential Questions:
- 1. Is the World State a Dystopia or Utopia?
- 2. How close are we to the world Huxley envisioned?
- 3. Student generated EQ
- We will engage in discussions in 3 steps:
- 1. Individual
- 2. Small Group/Socratic (Use Student Response stems to guide your discussion norms for this and all class discussions-attached)
- 3. Class Philisophical Chairs (We will need to finish this part plus the reflection tomorrow)
- Reflection: What are your strengths and areas for growth to meet the analysis focus?
- HW: Personalized I Am poem due tomorrow